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Get Fucked 2017

Get Fucked Festival

The Peer Hat, Manchester, UK

29th April 2017
By

Rating: 5/5

 
 

 

 

Get Fucked is an all day, and well into the following morning, event bought to us by Atomic Catfight and Abattoir Blues Records, a combination that promises a full day of primitive rock & roll that features nine acts from the primal swamp of the UK’s underground blues, garage and punk scenes that appropriately is taking place in the basement venue that is The Peer Hat, that is located on the edges of Manchester’s fashionable Northern Quarter. The bands appearing at the inaugural Get Fucked festival are diverse to say the least, but all with one common goal, to deliver dirty distorted rock ‘n roll that is in no way designed to save anyone’s soul.

Get Fucked has put together a line up of punked up blues, garage, psych and punk rock that is irresistible to those of us that grew up on a diet of punks adrenaline fuelled charge, the hallucinatory elements of the garage revival scene and whatever other strange creatures emerged from the underground and promised the illicit pleasures that the original hell bound spirit of rock ‘n roll offered. Tonight’s line up includes The Hipshakes, Uncle Jane, Tensheds, The 99 Degree, The Maitlands, The Jungfraus, GUTS, Death Vignettes, Hopper Propelled Electric and music provided by the esteemed Wet Dreams DJ’s.

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Get Fucked has nine bands playing each getting a half hour slot, the perfect way to organise a festival with no pretensions, just nine slots of punked up garage, psyche and blues with DJ sets playing the best tunes from the last six decades of rock ‘n roll’s dark underbelly. First up are The Hipshakes and after a brief tune up they launch into their opening slot of adrenaline fuelled garage. The energy levels are already off the chart on their first number, and then stay there. They deliver raw distorted garage that is born of the MC5 and The Stooges with a raw amphetamine fused punk edge that on occasion borders on hardcore intensity, The Hipshakes show exactly how to start a festival.

20170503_212521After a another short DJ set from Wet Dreams, that includes the legendary purveyors of fucked up rock n roll, The Cramps, The Maitlands take to the stage, they bring a cross between raw punked up rock ‘n roll and 60s beat that is tinged with the spirit of 77. The Maitlands have brought their sparkling self penned fucked up pop songs to Get Fucked and they build on the foundations laid by The Hipshakes by maintaining the adrenaline charged rush and combining this with a distinctly Mancunian sensibility, and already at this early stage of the day I can’t help thinking that the inaugural Get Fucked Festival is shaping up to be something very special.

20170505_230630The intriguingly named Uncle Jane are next, and they deliver a set of fucked up rock ‘n roll than channels The Sonics, The Mummies and the bands that populated the legendary Pebbles albums. This a rawer more primitive sound than the previous bands, and they are a welcome addition to Get Fucked and capture the spirit of the evening perfectly with bass heavy set that’s laced with lysergic guitar riffs. Tensheds follow and take Get Fucked down a different path with their intense drum and keyboard combination, but despite the lack of any stringed instruments they continue to channel the spirit of Get Fucked in a manner that makes me think of the Dresden Dolls having a head on collision with Nick Cave and Tom Waits.

GIG-110Next up is the bastard blues of GUTS, a band that I made a promise to that I would catch them again when I briefly saw them supporting The Bellrays last year, it might take me a while but I keep my promises. GUTS play a set that is the epitome of what Abattoir Blues Records are about, the heart and soul of blues with the attitude and spirit of punk rock, to me they sound even rawer than when I first encountered them. They cross the experimental side of Captain Beefheart with the grunt of blues, and the cocktail is completed by a punk attitude and delivery that makes their dark intense serial killer blues the perfect soundtrack to the midway point of Get Fucked.

20170503_222428Hopper Propelled Electric deliver a charged alt rock set that recalls Queens Of The Stone Age, in their substance fuelled prime, combined with the primal hedonistic spirit of rock ‘n roll. Their charged set brings yet another facet to tonight’s event and as with every other act tonight you can’t help but be impressed with the DIY spirit that is ever present today. Tonight has been a credit to Manchester’s alternative music scene, the bands playing Get Fucked avoid the clichéd Mancunian references and they all choose their own influences, despite all the bands playing tonight having their own sound and style there is a common unifying theme of the hedonistic qualities of rock ‘n roll.

20170503_221812The 99 Degree bring a set of fucked up spaghetti western influenced garage and this is the last set they’ll play before the release of their eagerly awaited Boot Hill Surf Club EP. Ominous echo heavy tones precede The 99 Degree launching a energetic set that channels the spirit of the old West combined with the reverb and echo heavy trashy garage that makes them one of Manchester’s most idiosyncratic bands. No one else does anything even remotely close to what The 99 Degree are doing, they deliver a mutant hybrid of everything that’s worth a damn in rock ‘n roll, and for me they are the closest thing you’ll get to the untamed spirit of the garage punk origins of The Cramps.

20170503_213200The penultimate act is Death Vignettes who have reformed for a one off performance for the inaugral Get Fucked, they channel everything that Abattoir Blues Records are about, dirty nasty punked up blues played exactly as it oughta be. Death Vignettes make as much noise as it’s possible to extract from one guitar and drums, and they produce a sound that makes other two pieces outfits, such as The White Stripes, sound like an unplugged performance. Death Vignettes come across as nothing less than the personification of the primal howl that signified the birth of rock ‘n roll.

20170503_213542The final act is The Jungfraus, their set is largely culled from the impressive KRAAK album that is now available as a pay what you want download. They bring a heady element to the final set of Get Fucked, they channel sixties garage, psyche, alt rock and alternative influence to create an impressive mind altering combination that makes for a fitting finale to the live acts that have graced the first Get Fucked festival. Tonight has been perfect, everything from the venue, the friendly and good natured crowd, along with every single band that played tonight and with the faultless DJ set from Wet Dreams that was the perfect accompaniment to the tonight’s nine triumphant live sets.

20170503_211307There is a sequel to Get Fucked planned and I can’t wait for this to happen, as tonight has been a perfect combination of the music and attitudes that informed and shaped punk rock. For me today has possessed more attitude and rebellion than the established punk festivals, it channels the roots and captures the attitude of what made us fall in love with music in the first place. If you didn’t attend this then you should make a point of being at the next Get Fucked if you can as this will probably be amongst my favourite shows of the year. We came, we saw, we got fucked, and I can’t wait for the next time

20170503_213308The Abattoir Blues Records website can be found here

The Atomic Catfight Facebook page is here

Death Vignettes Facebook page is here and their Soundcloud is here

GUTS Facebook presence is here and their Soundcloud is here

The Hipshakes Bandcamp is here and their Facebook presence is here

Hopper Propelled Electric can be found on Facebook here and their Bandcamp is here

The Jungfraus Facebook page is here and their Bandcamp is here

The Maitlands Facebook presence is here and their Soundcloud is here

Tensheds website can be found here

Uncle Jane‘s Facebook page is here and their Soundcloud is here

The 99 Degree‘s Facebook page is here and their Bandcamp is here

Live photography by Michael Maffia, you can click on any of Mike’s photos to view a slide show of the images

99-degree-fallow-cafe-2nd-dec

The 99 Degree / Crimsons / La Mode / Sam Craighan

Fallow Café, Manchester, UK

2nd December 2016
By

Rating: 4.5/5

 
 

 

 

99-degree-fallow-cafe-dec-1The Fallow Café lies to the South of Manchester, nestled inconspicuously amongst terraced housing, it has a bar and restaurant downstairs, but upstairs lies an intimate venue that is the perfect setting for tonight’s triumphant headline show by The 99 Degree. In addition to the four band bill there is a DJ set by Wet Dreams, both in between bands and then on into the early hours, that captures the mood of the evening perfectly, the playlist covers everything from sixties garage pioneers such as The Sonics through alternative and indie as well as a few punk classics thrown in for good measure, marking what is easily the best DJ set I’ve encountered at a concert this year.

sam-craighan-fallow-cafe-dec-16-1Due to some of the worst traffic I’ve encountered in a long time we arrive late for the show, by the time we get into the Fallow Cafe Sam Craighan is already approaching the end of his set, but the three numbers I do manage to catch hint at a melodic indie sensibility that carries the spirit of the likes of The Libertines. They alternate between keyboard and guitar led numbers, that can carry the spirit and bounce of Britpop, or convey a more melancholy tone. Despite only catching three songs of his set Sam Craighan marked a promising beginning to an evening that showcases some of finest talent that originates from the fuzzy side of this town.

la-mode-fallow-cafe-dec16-1After some more fine tunes from the Wet Dreams DJ La Mode take the stage, I had no previous knowledge of them and their name didn’t suggest what I could expect. They boast a striking vocalist and what appears to be a modern day Viking on bass, rounding out the line up are two more subdued, but no less talented, members that complete the quartet. What is immediately apparent is that vocalist Millie Sproston has a stunning voice that is backed up by a soundtrack that’s informed by the proto punk and rock bands of the late sixties and early seventies, but crucially with a contemporary feel that stops them from being an anachronism in any way shape or form.

la-mode-fallow-cafe-dec16-2I’m finding that the deeper I delve in Manchester’s underground scene the more I realise there are some incredible bands out there, and La Mode can be added to their number. They skilfully straddle the line between rock, alternative and indie, and importantly they do it in style. Their material defies categorisation, there’s even a brief ska element incorporated into the breakdown one of their numbers. My first encounter of La Mode has made a lasting impression on me, whilst they carry a heavy undercurrent of seventies rock influence it is one that is shorn of self indulgence and excess. La Mode delivered a brief hard edged melodic set that for me makes them another band to watch in 2017.

crimsons-fallow-cafe-dec-16-1By the time Crimsons take the stage the Fallow Café is packed to capacity, the temperature is rising and it’s standing room only, and the trio that make up Crimsons bring another dimension to the impressive bill that’s on offer tonight. Crimsons play an echo drenched psyche influenced and lysergic tinged element to the proceedings. They simultaneously channel the best of the psychedelic and garage bands, but they combine this with contemporary influences, in particular elements of Manchester’s post punk era are present in the treble laced guitar style that permeates their set, and this makes for a heady combination that, like La Mode before them, is hard to resist.

crimsons-fallow-cafe-dec-16-2The Crimsons build on the impressive opening by the first two bands, the contrast between each of the bands that has appeared tonight’s show is marked, but rather than this being jarring the differing styles compliment each other. The heady psyche the Crimsons play seems to contain a significant influence from Manchester legends The Chameleons, especially in their guitar sound, but there the comparison ends, the Crimsons have their own distinct sound that meld influences that span the last five generations. They bring a welcome slice of paisley inspired treble laced driving psyche that brings another heady element to the mix prior to tonight’s headliners, The 99 Degree, taking the stage.

99-degree-fallow-cafe-dec-2During each of the three bands that played before them Joe Sartini, the vocalist of The 99 Degree, has been down the front doing his own unique shambling dance moves and yelling encouragement at the bands, it’s this kind of camaraderie amongst the bands that typifies the good natured atmosphere that has been present throughout tonight’s show, now it’s his turn to take to the stage. I’ve caught The 99 Degree twice so far this year, supporting Kid Congo And The Pink Monkeybirds and as a part of a Psychetropic showcase, but tonight they are taking the headlining spot and the support acts, the venue and the crowd have all built up the atmosphere perfectly for The 99 Degree to launch themselves towards 2017.

99-degree-fallow-cafe-dec-3The 99 Degree have bought their deranged mix of rock ‘n roll and garage, that is all delivered with a spaghetti western sneer, to the Fallow Café. They open with their heavy primitive sound that immediately has the crowd moving, and you can’t help but get the feeling that tonight’s performance is what The 99 Degree have been working towards throughout 2016. Tonight they play their own deranged hallucinogenic surf rock, but despite the influences The 99 Degree are in no way buried in the past, they, along with support acts La Mode and Crimsons, are at the forefront of the latest incarnation of bands inspired by the sounds that originated in the sixties and early seventies.

99-degree-fallow-cafe-dec-4Vocalist Joe Sartini announces that “the doors have been locked and the drinks have been spiked” and this is the signal for The 99 Degree to launch into a headlining set of their unique brand of garage dementia. Songs such as Losing My Mind energise the sweaty crowd that has packed out the Fallow Café, the set varies from sinister Link Wray inspired guitar lines, embodied in the track The End Of The Line, to full on garage floor shakers. The singers shambolic stage presence is in sharp contrast to the rest of the band who hammer out the kind of authentic razor sharp rock ‘n roll that is in no way designed to save your soul or be redemptive, they are the real deal.

99-degree-fallow-cafe-dec-6It’s clear The 99 Degree have stepped up a gear, something they have managed to do every time I’ve seen them, which makes them a very exciting prospect for 2017, and tonight they confirmed new material was in the pipeline to follow on from their debut single, Dead Or Alive, which sounded better than ever tonight and brought a taste of the menace of the old west to South Manchester. Tonight they announced that they will be releasing an EP of new material next year and on the basis of the songs they played tonight that will populate the forthcoming The Banshee EP then it can only be a matter of time before The 99 Degree come to wider attention and spread their wings beyond the confines of their hometown.

99-degree-fallow-cafe-dec-5The 99 Degree are possessed by the original untamed spirit of rock ‘ n roll that follows in the tradition of Vince Taylor, The Sonics and The Cramps, every generation has it’s own standard bearers that embody the primitive spirit of excess and hedonism, The 99 Degree haven’t so much picked up the torch, but they’ve stolen it and are using it light a suspicious smoke. The world needs bands like The 99 Degree that carry the spirit of rock ‘n roll and garage, but they also combine it with the fuck you attitude of punk rock and the meance of a Sergio Leone soundtrack to create something that is truly unique and as a result tonight’s show indicates that 2017 could well be their year.

99-degree-fallow-cafe-dec-7Sam Craighan‘s Facebook presence can be found here

La Mode‘s Facebook page is here and their debut EP is available via iTunes

Crimsons Facebook page can be found here

The 99 Degree‘s Soundcloud Page can be found here and their Facebook page is here

Dead Or Alive is available via The 99 Degree‘s Bandcamp here

Photography is by Dean Unsworth, his Instagram account is located here,

You can click on any of Dean’s photos to view a slide show of the images