ThePunkSite.com

Mean Jeans

Mean Jeans

Jingles Collection

Fat Wreck Chords
By

Rating: 3.5/5

 
 

 

 

Oregon-based garage act Mean Jeans is known for its scrappy, fun loving Ramones-inspired pop-punk.  In the band’s first ten years of activity they released three full lengths and a handful of singles and EPs, and then signed on with Fat Wreck Chords for their third album, Tight New Dimension.  The album notably “tightened” the band’s musicianship, and allowed the band to enter their second decade on the top of their game.  How does a band on an upward trajectory follow up with their fourth full length?  With a twenty-three mico-song collection themed and inspired by American commercial and advertising culture entitled, Jingles.

If you’re like me, you might think Applebees, Pop-Rocks and Mountain Dew would not be the most intuitive topics around which to build an album, but hey, I guess that’s why I’m not a musician.  Heck, if They Might Be Giants can build a career around comedy and short-songed farce albums, then it’s really not out of the realm of possibility for Mean Jeans to do something similar as a one-off.

Despite the hefty track listing, the album clocks in at a slim twenty-one minutes, with each track ranging from a miniscule thirteen seconds, to a meatier minute forty-five.  The result is a collection of short, punchy hooks that stick around just long enough to lay down an ear-worm, and then it’s off to the next product.  Generally, the catchy little ditties come in one of two forms: short and to the point, or they use their 90 second runtime to build enthusiasm for the product.  Take “Rain-X Wiper Blades,” or “Totinos,” which cover little more than longing for a streak free windshield shine or a bubbling frozen party pizza cooking in the oven.  They’re both minimalist and extremely catchy while still making over the top promises for otherwise middling products.  

The same bodes true for the lengthier tracks, with those like “1-800-69-SHRED” totally selling me on where I’m heading the next time I need to dispose of office documents, or telling me the merits of spending my hard earned wages at a “Best Western.”  Meanwhile, “Kraft Mac & Cheese” drives home my already strong belief that there is no substitute for KD, while “Taco Bell” trumpets the merits of hitting up everyone’s favourite fast food hot spot during the wee hours of the night.  Stylistically, the tracks are fairly consistent in their simplicity, but “Dunkaroos” does a fine job of standing out from the pack with a purpose.  The now defunct snack ceased production in the USA back in 2012 due to changing child advertising laws, and only remains available in Canada.  The track takes an almost emo-esque feel to the tragic loss, and lays down an acoustic lament, reminiscing how the band “never had as much fun with food.”  On the other side of the spectrum there’s “The Footlong Song,” which throws in a little twang for good measure as the band sings of their love for an unspecified sandwich shop.

My only caution? be careful – listen to Jingles just once and you’re bound to get multiple products bouncing around in your head.  Much like the products they promote, the tracks are addictive.  Jingles isn’t likely the type of album you’ll be listening to in a year from now in regular rotation, but it will likely earn its place as a go to for something a little less serious.  It’s the type of album you can snicker about on your own, or have a good time annoying your friend with in the car.  Despite the trivial content, Mean Jeans’ musicianship makes Jingles a wholly enjoyable diversion.  

The Last Gang

The Last Gang

Sing For Your Supper

Fat Wreck Chords
By

Rating: 3.5/5

 
 

 

 

When Fat Wreck Chords announced the signing of Orange County’s The Last Gang, label staff expressed excitement with inking a deal with what was one of their favourite rising punk acts.  Clearly the label wanted to share their enthusiasm with the loyal Fat Wreck Chords fanbase because a few months later and the band released a two track teaser.  Named for the title track, “Sing For Your Supper,” the double sided single features one song from their upcoming full length, and a second specific to the release.  And honestly after a quick listen, it isn’t hard to understand Fat’s eager attitude.

“Sing For Your Supper” showcases a range of hard nosed punk rock styles that combine classics like Rancid and The Distillers with a modern twist.  Brenna Red’s vocals are raw but seasoned, and highly expressive to the point of conviction.  With choruses bolstered by backing woah-oah vocals and rumbling bass, the song’s message of self sufficiency and resistance stands strong.  Flipping over to the b-side, “Turn the Record Over” is a fast moving, rumbling rocker that adeptly balances propulsive speed with jangly, stick in your head pop-punk melody.  The b-side is exclusive to this little sneak peak, so it’s well worth the investment on the road to the band’s much anticipated next full length.

Sing For Your Supper does its job of drumming up excitement for The Last Gang’s impending album, and framing the band with all the excitement inherent in the original signing announcement.  Now we wait.

The Lawrence Arms Announce Greatest Hits Album

Lawrence ArmsThe Lawrence Arms are planning to release a greatest hits package on March 30, 2018 via Fat Wreck Chords.  The disc features five new song taken from the band’s Oh Calcutta! studio sessions.  The disc will be titled We Are The Champions of the World.

Check out the track listing and an announcement trailer below.  The band plans to tour in support of the disc in April and May.  Pre-orders are live.

Read More…

The Last Gang To Release New LP

The Last GangThe Last Gang has announced details for their first full length on Fat Wreck Chords.  The Orange County band will release the new LP entitled Keep Them Counting on March 2, 2018.  The album follows the band’s recent EP, Sing for your Supper, which was released last December. 

 Pre-orders are live.  The song “Sing for Your Supper” can be heard below.

Read More…

Tours: The Lillingtons

12 Jacket (3mm Spine) Lills - Stella SapienteLong running pop-punk act The Lillingtons will be heading on tour in the new year in support of their latest full length, Stella Sapiente, which dropped on October 13, 2017 via Fat Wreck Chords

Tour dates are below.

Listen to the album here, and be sure to check out our full review.

Read More…

Direct Hit PEARS

Direct Hit! / PEARS

Human Movement Split

Fat Wreck Chords
By

Rating: 4/5

 
 

 

 

The split album is an interesting creature.  Dismissed by many as a place to dump lost b-sides, or a vehicle for reusing existing material, the split doesn’t exactly have a glowing reputation beyond being a cash in for collectors and die hard fans.  But Milwaukee pop-punker innovators Direct Hit! and rising UK hardcore punk powerhouse PEARS seem to be out to change that.  The two notable young bands come together to bring us Human Movement, a split composed of five new tracks and a cover each.  A closer look reveals that perhaps Human Movement best described as a collaborative project more than a compilation.  

Human Movement works so well because each band’s contributions feel as if strategically selected to complement the other.  This agenda first became clear when the bands released a joint music video featuring both “Blood on Your Tongue” and “Arduous Angel.”  The video serves as a well produced narrative, featuring moments of dialogue and story development that drive each band to consider one another’s strengths.  Considering that each band commands a distinct style, they each seem to take a step towards common ground. In the case of the aforementioned tracks, PEARS draws upon Direct Hit!’s melodic nature, making for one of the band’s catchiest tunes to date.  For a band known for their frayed angular presence, PEARS takes risks and infuses a little more structure.  But Human Movement is a two way street, with Direct Hit! diving deep into the pool of frenetic belted hardcore and refusing to come up for air on opener “You Got What You Asked For” and again on closer “Nothing.”  Direct Hit! has always had an edge, but this delivery just feels altogether rawer, and heavily inspired by PEARS presence.  Each band maintains their own distinct identity but isn’t shy to branch out in the context of the split.

Also of note, the bands offer original takes on one another’s tunes.  Direct Hit! covers PEARS’ heavy thrasher “You’re Boring,” infusing their melodic essence in the chorus, but otherwise remaining rough and ragged as per the original.  Meanwhile, PEARS offer a cover of “The World is Ending,” but if you notice melodies and verses lifted from “Buried Alive” and Masked Intruder’s “Heart-Shaped Guitar,” you would be correct – making “The World is Ending” more of a raw and energetic pop-punk mashup than a straight on cover.

There are more reasons to check out Human Movement than I have the time and space to cover in this review, but rest assured, PEARS and Direct Hit! have crafted something special.  The willingness to collaborate, play off one others’ strengths, and stretch beyond their comfort zones as musicians speaks to how much fun listeners stand to have tuning in to Human Movement.  If you’re weary of splits, then Human Movement is the disc that may just change your thinking.

Tours: Direct Hit! / Less Than Jake / Four Year Strong / Bearings

Direct HitMilwaukee punk band Direct Hit! has announced that they will be joining Less Than Jake and Four Year Strong for a February tour.  The band recently released a split with PEARS in November via Fat Wreck Chords

Tour dates are below.

Read More…

Video: Bombpops – Fomo

California female fronted melodic punks The Bombpops have premiered a new music video.  The video features the song “Fomo” and is lifted from their new LP, Fear Of Missing Out, which dropped last February via Fat Wreck Chords.

Watch the video below.

Read More…

Tours: Mean Jeans / Dirty Fences

mean jeans for punk siteMean Jeans will be heading on tour in January with Dirty Fences in support of their latest LP, Tight New Dimension, released via Fat Wreck Chords back in 2016.

Tour dates are below.

Read More…

Video: Darius Koski – Another Man

Darius KoskiDarius Koski (Swingin’ Utters) is streaming a new song from his upcoming sophomore solo album.  The track is titled “Another Man” and appears on the album What Was Once Is By And Gone, which dropped on November 3 via Fat Wreck Chords.  The album follows 2015’s SISU.

Listen to the song below.

Read More…

The Swingin’ Utters Announce Best Of Compilation

Swingin UttersLong running punk act The Swingin’ Utters has announced the released of a greatest hits compilation.  The thirty three song disc will be titled Drowning In The Sea, Rising With The Sun and is set to drop via their long time home, Fat Wreck Chords, on December 8, 2017.

Full track listing and pre-orders can be found here.

PEARS And Direct Hit! Release Split Album ‘Human Movement’

Direct HitFat Wreck Chords have released Human Movement, the brand new split album from Direct Hit! and PEARS. The twelve track album features five new songs from each band, plus one cover of their counterpart’s material. Human Movement is now available on CD, vinyl and digital formats, the album can also be downloaded and streamed via the Fat Wreck Chords Bandcamp.

Human Movement can be ordered via Fat Wreck Chords here and via Bandcamp here 

You can watch the Human Movement video, featuring one track from each band, below Read More…

Darius Koski

Darius Koski

What Once Was Is By And Gone

Fat Wreck Chords
By

Rating: 3.5/5

 
 

 

 

Darius Koski of Swingin’ Utter fame surprised the punk world with Sisu, his impressive solo debut.  Flavoured with twangy folk-punk ranging from boppity country to the essence of brooding gothic folk-punk, Koski has an uncanny knack for keeping listeners on their toes.  For his follow-up release, What Once Was Is By And Gone, Koski takes a deep plunge into the lesser known, making for some wholly unexpected and fairly unique songs.  One moment he’s channelling Johnny Cash, and the next Tom Waits.  Koski is confident in his risk taking, and the result is unlike anything else on the Fat Wreck Chords roster.

But before we delve into the less conventional side of things, it’s worth noting that What Once Was Is By And Gone still offers many songs in line with Koski’s previous effort.  Opener “Black Sheep” offers the familiar casual twang running through Koski’s country tracks, with “Because He’s Beautiful” building up to a trot with a little more of that full bodied guitar punch and “Yes I Believe” featuring a big ol’ upright bass leaning heavily on rockabilly for inspiration.  “Dead End Days” and “Little Johnny” could even pass as stripped down versions of Swingin’ Utters b-sides.  Collectively, there’s a small EP worth of familiar sounds drawing comparisons with Larry & His Flask and Greenland Is Melting spaced throughout the album.  This ensures that regardless of how far Koski strays, he always veers back to safety.

And does he ever stray. Moments after “Black Sheep” Koski launches into “Old Bones,” a stripped down organ and acoustic guitar piece with a soft piano crescendo that can only be described as delicate.  Quiet, personal, and reflective, Koski exudes a humbleness seldom explored by any punk frontman’s solo endeavors.  “Stay With Me” ventures further down the rabbit hole in a song best understood as a serenade.  From the ghostly opening whistle, to the sorrowful violin and enchanting female accompaniment, the song evokes blissful emotions most suited for a private waltz amongst lovers.  These are words and associations I never imagined I would make with Koski, and bare little resemblance to anything in my music library.  Perhaps the oddest inclusion lies in the three minute instrumental intermission, “Soap Opera.”  Almost entirely piano driven, the track matches its moniker, and could perhaps serve as an opening theme to a psychological thriller set in a 1930’s manor house.  Heck, it’s cinematic feel could probably fit snuggly somewhere in an episode of Downton Abbey.  

What Once Was Is By And Gone is an unexpected listen.  It’s one of those Fat Wreck Chords releases that you might have a hard time envisioning Fat Mike blasting in his decked out van.  But that shouldn’t shy Koski’s core fanbase from taking note.  Darius Koski has really put himself out there in a unique and unconventional way, and for the most part, it works.  While a few tracks, like the hazy washed out take on 60’s psychedelia ”Imitation Tala,” are less memorable, the album is a respectable grower that reveals subtle nuances with each passing listen.  Given that Swingin’ Utters fans are probably at a place in their life where they will accept these curiosities, What Once Was Is By And Gone is an album that Koski’s fans may have not known they were waiting for.  So go ahead, take the plunge, your curiosity will be rewarded.

Direct Hit! And PEARS Premiere Covers From Upcoming Split

Direct HitMilwaukee punk band Direct Hit! and labelmate PEARS have premiered two new songs, each a cover of a song from the other band.  The songs include “The World Is Ending (Sorta)” and “You’re Boring,” with both appearing on their upcoming split, Human Movement, which is set to drop on November 3, 2017 via Fat Wreck Chords

Stream the songs below.

Read More…

PEARS Announce November UK Tour With Rise Against

Direct HitIn their short history PEARS have released two full-lengths, both on Fat Wreck Chords, and have played far and wide, including Australia and Chicago Riot Fest, now PEARS have announced they are opening for Rise Against on their UK tour this November. The band will also be releasing a split album, Human Movement, on November 3rd with Direct Hit via Fat Wreck Chords.

You can pre-order Human Movement via Fat Wreck Chords here

You can view PEARS UK tour dates with Rise Against, and the video for Green Star, below Read More…

The Last Gang Sign With Fat Wreck Chords

The Last GangThe Last Gang has signed on with the good folks at Fat Wreck Chords.  The Orange County band will release a two-song 7-inch entitled Sing for your Supper on December 8, 2017. 

 Pre-orders are live.  Details for the band next full length are expected to follow shortly.

Darius Koski – Black Sheep

Darius KoskiDarius Koski (Swingin’ Utters) is streaming a new song from his upcoming sophomore solo album.  The track is titled “Black Sheep” and appears on the album What Was Once Is By And Gone, which is set to drop on November 3 via Fat Wreck Chords.  The album follows 2015’s SISU.

Listen to the song below.

Read More…

Direct Hit! And PEARS Premiere Shared Music Video

Direct HitMilwaukee punk band Direct Hit! and labelmate PEARS have premiered a shared two-part music video for the songs “Blood on Your Tongue” and “Arduous Angel,” which will both appear on their upcoming split, Human Movement, which is set to drop on November 3, 2017 via Fat Wreck Chords

Watch the video below.

The album features 12 songs, and is composed of 5 new tracks per band, and a reciprocal cover of from each band.

Read More…

The Lillingtons Stream New LP In Full

12 Jacket (3mm Spine) Lills - Stella SapienteLong running pop-punk act The Lillingtons have premiered a full stream of their new album Stella Sapiente, which is set to drop on October 13, 2017 via Fat Wreck Chords. The band released their Project 313 EP through Red Scare Industries earlier this year.

Listen to the album here, and be sure to check out our full review.

12 Jacket (3mm Spine) Lills - Stella Sapiente

The Lillingtons

Stella Sapiente

Fat Wreck Chords
By

Rating: 4.5/5

 
 

 

 

It was surprising when Wyoming pop-punk legends The Lillingtons emerged from hiatus and gave us their first new EP in a decade, Project 313.  It was even more surprising when they announced barely a month later that they would be following the EP with a brand new full length.  But it was outright shocking that after years of pestering the band, Fat Mike finally convinced the band to sign with Fat Wreck Chords for their first new full length in a decade.  But the cherry on top was that the new record, Stella Sapiente, would be a shadowy concept album of epic proportions.  

Now The Lillingtons are far from strangers to concept albums, but their most notable work has primarily channelled their traditionalist pop-punk foundation (think heavy Ramones influence) into themes of retro science fiction (Death By Television, heralded by Fat Mike as one of the best pop punk albums of all time), espionage (Backchannel Broadcast), and 2:00am TV watching sessions dominated by black and white serialized re-runs (The Too Late Show).  Stella Sapiente completely reinvents the musical style typically associated with the pop-punk band, instead opting for a dark, brooding atmosphere in line with the press release’s claim that the album is “centered around secret societies, astrology, and the occult.”  A fitting reality considering that the album was recorded in total secrecy.

Kody Templeman’s unmistakable vocalizations as well as the tendency to revert to simplistic chord structures remain the marked strand of continuity binding the project together – but the rest is new territory.  This becomes immediately apparent for during opener “Golden Dawn / Knights Templar,” which includes a full minute of swelling instrumental intensification that places distortion, drenched and idling in reverb, at the fore.  These are not your typical three chord pop-punk ditties, but rather something you’d expect to find amidst the moodiest tracks from horror-punk projects like The Rosedales, Nim Vind, or Blitzkid.  “We were chosen by God’s own hand, sent on a mission to the holy land, wanted to kill everything that got in our way,” sings Templeman as they launch into semi-historical lore of ancient societies that took guarded secrets with them to the grave.  Likewise, an eerie array of astral chords and production effects lead “Night Visions” and “Cult of Dragon” to conjure images of shadowy robed figures and high priests conspiring amidst concealed catacombs.  There’s a haunting quality that absolutely envelopes listeners into the vivid world of which The Lillingtons have given birth.

But this isn’t to say that the album is completely unrecognizable from past works.  The Lillingtons tend to wedge a few more “classic” takes between the more ambient offerings.  For instance, the stringy pop-punk chords of “Insect Nightmares” and “K6” wouldn’t have sounded out of place on “The Too Late Show,” and “They Live” ups the tempo for some fast paced Ramones-esque speed.  While lyrically still extensions of Stella Sapiente, these tracks tend to align more predictably with bands like The Riverdales and Teenage Bottle Rocket.  In other words, Stella Sapiente finds balance even amidst The Lillingtons’ unexpected ambitions.

“Unexpected” may be the most appropriate word to describe Stella Sapiente.  It only took one listen to “get” what The Lillingtons were going for, but no press release or print synopsis could have braced me for what I would find in Stella Sapiente.  Stella Sapiente may not be the album we were all expecting, but that’s only because we had no way of understanding what The Lillingtons were brewing deep within those private recording catacombs.  When all is said and done, Stella Sapiente is a landmark album by one of pop-punk’s best kept secrets, and one that may finally see The Lillingtons emerge from the nostalgic shadow of Death By Television with an entirely different legacy.

Tours: Teenage Bottlerocket

Teenage BottlerocketWyoming pop punk powerhouse Teenage Bottlerocket will be heading on tour in Australia in late September and early October.  The band continues to support their latest album, Stealing the Covers, which hit the streets on July 14, 2017 via Fat Wreck Chords.

Tour dates are below.

Read More…

The Lillingtons Announce New LP; Stream First Track

12 Jacket (3mm Spine) Lills - Stella SapienteLong running pop-punk act The Lillingtons have announced plans for their long awaited new LP.  The disc will be titled Stella Sapiente and is set to drop on October 13, 2017 via Fat Wreck Chords. The band released their Project 313 EP through Red Scare Industries earlier this year.

Coinciding with the announcement, the band has premiered the song “Insect Nightmares,” which can be heard below.

Read More…

No Use For A Name Stream New Rarities Album In Full

No Use For A NameFat Wreck Chords is streaming No Use For A Name‘s covers compilation album.  The disc features non-album tracks and holds the title Rarities Vol. 1: The Covers, and dropped last week.

Listen to the full disc below.

Read More…

Video: The Bombpops – Be Sweet

California female fronted melodic punks The Bombpops have premiered a new music video.  The video features the song “Be Sweet” and is lifted from their new LP, Fear Of Missing Out, which dropped last February via Fat Wreck Chords.

Watch the video below.

Read More…

Video: Western Addiction – Honeycreeper

Western AddictionWestern Addiction has premiered a new music video for the song “Honeycreeper.”  The track is lifted from their new album, Tremulous, which dropped on March 10, 2017 via Fat Wreck Chords.  The disc was produced by Joey Cape and mixed by Matt Bayles. 

Watch the video below.

Read More…

Teenage Bottlerocket

Teenage Bottlerocket

Stealing The Covers

Fat Wreck Chords
By

Rating: 4/5

 
 

 

 

Teenage Bottlerocket are known for their fast paced Ramones inspired pop-punk.  The Wyoming based band has never claimed to be particularly innovative, but they’ve garnered quite the reputation for their endless enthusiasm and tongue-in-cheek humour.  Given that their latest effort, Stealing the Covers, is a covers album, it would be easy to dismiss the band as playing to that reputation.  But a closer look reveals that Under The Covers is actually premised on fairly original grounds.  These aren’t Me First & The Gimme Gimmes style radio hits, rather, the band has opted to shine the spotlight on lesser known acts that never made it big, but were a healthy part of the pop-punk underground (described as “obscure and unsigned” on their label’s website) over the last ten or fifteen years.

The result is a collection of cover songs that feel more like a disc of original material – or carefully curated mixtape – if you’re not an absolute diehard of the Laramie pop-punk scene.  While I was familiar with a handful of the band names on the compilation, I was surprised how many songs I was hearing for the first time.  It’s clear that the band chose these songs because of how compatible they were with Teenage Bottlerocket’s fun loving nature.  The first three tracks, Varsity Weirdos’ “The Way I Know,” Hollywood Blonde’s “Back and Forth” and Juke’s “College Town” each channel the prototypical, quick tempoed pop-punk that waffles back and forth between uppity toe tapping ditty and catchy, chorus heavy repetition.  Other covers from bands like HEAD, The Gullibles, and The Mugwumps also make their mark.  The difference is that while most of Teenage Bottlerocket’s songs tend to share overarching similarities (ie. comparable chord structures), these covers all present slightly uniquenesses that actually make Stealing The Covers one of the Wyoming quartet’s most diverse in nature.

Some of the best album highlights stand out due to the one two punch of unique sonic footprints and original lyrics.  The first big standout comes in the form of Sprocket Nova’s “Robocop is a Halfbreed Sellout.”  If you find yourself wondering, “Nova who?”, you’re not alone.  I honestly had never heard of this project, but a quick google search turns up a free download of the original song and album.  Given that the song plays like a nerdy Nerf Herder tune meets The Network’s synth, it should be an instant download.  The same Nerf Herder-y comparison can be made with The Four Eyes’ “Hat Nerd,” a song about that friend who sports a hat for every occasion.  While in the habit of dropping notable comparison, I also was surprised that “It Came From The Radio” was not in fact an unreleased track by related TV themed pop-punkers The Lillingtons, but rather originates from an band unbeknownst to be, The Blendours.  Simply put, it’s an absolute blast.

The album ends with a curious take on “a bear walks into a bar” (“Why The Big Pause”) joke that was originally given the melodic pop-punk treatment by The Punchlines.  It’s the perfect ending for an incredibly fun album, and Teenage Bottlerocket once again make it sound entirely their own.  Stealing The Covers is remarkably coherent for a collection of covers, and will naturally find a long term place in the Teenage Bottlerocket discography.

Tours: The Real McKenzies (Europe)

the-real-mckenziesLong running Celtic punk greats The Real McKenzies will be heading out for a European tour this Summer.  The band continues to support their new album, Two Devils Will Talk, which dropped back in March via Fat Wreck Chords (US) and Stomp Records (CAN).

Tour dates are below.

Read More…

Video: Teenage Bottlerocket – Why The Big Pause (The Punchlines Cover)

Teenage BottlerocketWyoming pop punk powerhouse Teenage Bottlerocket has premiered a new music video.  The video features the a cover of The Punchlines’ “Why the Big Pause,” which is set to appear on their upcoming, Stealing the Covers which will hit the streets on July 14, 2017 via Fat Wreck Chords.

Watch the video below.

Read More…

The Lillingtons (Finally) Sign To Fat Wreck Chords

The LillingtonsLong running pop-punk act The Lillingtons have signed on with Fat Wreck Chords.  The band plans to release a new album, which was recorded at The Blasting Room, later this year.  The band released their Project 313 EP through Red Scare Industries earlier this year.

The signing comes after many years of explicit adoration from Fat Wreck Chords towards the band, but which up until now was never successful at landing the band on the label’s iconic roster.  Looks like patience and persistence have payed off for the label.

Tours: Get Dead (Europe)

Get DeadGet Dead has announced that they will be embarking on a tour of the UK and Europe for the bulk of September and August.  The band will be supporting their latest full length, Honesty Lives Elsewhere which dropped last year on Fat Wreck Chords.

Tour dates are below.

Read More…

Tours: Useless ID (Europe)

Useless IDIsraeli pop-punk act Useless ID has announced that they will be touring Europe this Summer.  The band continues to support their new album, State Is Burning, which dropped back in July 2016 via Fat Wreck Chords.

Tour listings are below.

Read More…