Liza Colby Sound

Liza Colby Sound


Self Released

Rating: 4/5




The Liza Colby Sound hail from New York City and are set to release their new EP, Draw, on the 17th November. Draw contains four songs that give you a fleeting glimpse into everything the Liza Colby Sound is about, the soulful vocals of Liza Colby herself are combined with a soundtrack that embodies dirty, hard hitting rock ‘n roll by a trio who have performed with the likes of Ozzy Osbourne, The Jim Carroll Band, The Del Fuegos and Joey Ramone, amongst other well-known names, to create a mesmerising hybrid of styles.

The opening track on the Draw EP, My World, is a glorious dirty slab of rock ‘n roll that channels The Stooges and Led Zeppelin, the rock ‘n roll soundtrack is topped with the sultry soulful vocal delivery by Liza Colby, one that raises the hairs on the back of your neck. I Love You brings the pace down, and delivers a soulful and heartfelt moment on the EP, White Light channels the blues before finally Cryin’ brings things to a close, with a track that encompasses their rock, soul and blues influences.

The only comparable act to the Liza Colby Sound is The Bellrays, and If you love them then you will adore the Draw EP, the Liza Colby Sound mix soul, garage and proto rock to create a stunning hybrid of styles. The result is that I love every moment on this EP, from it’s charged garage fuelled opener, through it’s tender soulful moments and blues heartbeat to the closing track that blends every element together, this is an introduction to a band that seamlessly blend the energy of the garage bands and the swagger of best rock acts with the heart of true soul music. 

The Liza Colby Sound‘s website can be found here and their Bandcamp is located here

Left Lane Cruiser Claw Machine Wizard

Left Lane Cruiser

Claw Machine Wizard

Alive Naturalsound Records

Rating: 3/5




Indiana based duo Left Lane Cruiser released their seventh studio album for Alive Naturalsound Records, Claw Machine Wizard, a few days ago, the latest full length follows on from their last album of new material, 2015’s Dirty Spliff Blues and their 2016 compilation, Beck In Black, and it sees the band return to being a duo, as opposed to the expanded line up that featured on their last full length of new material.

The title track kicks things off with a punked up blues number that boasts an infectious amped up distorted blues riff, and from this point in you’re in for a trip that has it’s origins in delta blues, but crucially it takes in additional influences along the way, there are elements of psyche and garage in the mix that are combined with a raw punk attitude to the delivery. Tracks such as Booga Chaka are closer to their blues origins whilst Still Rollin’ and Lately bring a touch of rock swagger to proceedings. But it’s not all swagger and boogie, Indigenous ushers in a sinister element, whilst Liquor Store closes Claw Machine Wizard in a suitably smoky and bourbon drenched manner.

Claw Machine Wizard is an album that will appeal to Left Lane Cruiser‘s established fanbase, and to those who have an appreciation for the bands that populate the roster of labels such as Abattoir Blues Records, their return to the stripped down approach that has been present on the majority of the albums is one that will be welcomed. Whilst there are moments on the album that don’t quite hit the mark this is largely an album that’s born of the blues and is delivered in a down and dirty manner, and the occasional misfire aside this is a another solid album from Left Lane Cruiser.

You can pre-order the limited edition starburst vinyl edition of Claw Machine Wizard here

Get Fucked 2017

Get Fucked Festival

The Peer Hat, Manchester, UK

29th April 2017

Rating: 5/5




Get Fucked is an all day, and well into the following morning, event bought to us by Atomic Catfight and Abattoir Blues Records, a combination that promises a full day of primitive rock & roll that features nine acts from the primal swamp of the UK’s underground blues, garage and punk scenes that appropriately is taking place in the basement venue that is The Peer Hat, that is located on the edges of Manchester’s fashionable Northern Quarter. The bands appearing at the inaugural Get Fucked festival are diverse to say the least, but all with one common goal, to deliver dirty distorted rock ‘n roll that is in no way designed to save anyone’s soul.

Get Fucked has put together a line up of punked up blues, garage, psych and punk rock that is irresistible to those of us that grew up on a diet of punks adrenaline fuelled charge, the hallucinatory elements of the garage revival scene and whatever other strange creatures emerged from the underground and promised the illicit pleasures that the original hell bound spirit of rock ‘n roll offered. Tonight’s line up includes The Hipshakes, Uncle Jane, Tensheds, The 99 Degree, The Maitlands, The Jungfraus, GUTS, Death Vignettes, Hopper Propelled Electric and music provided by the esteemed Wet Dreams DJ’s.


Get Fucked has nine bands playing each getting a half hour slot, the perfect way to organise a festival with no pretensions, just nine slots of punked up garage, psyche and blues with DJ sets playing the best tunes from the last six decades of rock ‘n roll’s dark underbelly. First up are The Hipshakes and after a brief tune up they launch into their opening slot of adrenaline fuelled garage. The energy levels are already off the chart on their first number, and then stay there. They deliver raw distorted garage that is born of the MC5 and The Stooges with a raw amphetamine fused punk edge that on occasion borders on hardcore intensity, The Hipshakes show exactly how to start a festival.

20170503_212521After a another short DJ set from Wet Dreams, that includes the legendary purveyors of fucked up rock n roll, The Cramps, The Maitlands take to the stage, they bring a cross between raw punked up rock ‘n roll and 60s beat that is tinged with the spirit of 77. The Maitlands have brought their sparkling self penned fucked up pop songs to Get Fucked and they build on the foundations laid by The Hipshakes by maintaining the adrenaline charged rush and combining this with a distinctly Mancunian sensibility, and already at this early stage of the day I can’t help thinking that the inaugural Get Fucked Festival is shaping up to be something very special.

20170505_230630The intriguingly named Uncle Jane are next, and they deliver a set of fucked up rock ‘n roll than channels The Sonics, The Mummies and the bands that populated the legendary Pebbles albums. This a rawer more primitive sound than the previous bands, and they are a welcome addition to Get Fucked and capture the spirit of the evening perfectly with bass heavy set that’s laced with lysergic guitar riffs. Tensheds follow and take Get Fucked down a different path with their intense drum and keyboard combination, but despite the lack of any stringed instruments they continue to channel the spirit of Get Fucked in a manner that makes me think of the Dresden Dolls having a head on collision with Nick Cave and Tom Waits.

GIG-110Next up is the bastard blues of GUTS, a band that I made a promise to that I would catch them again when I briefly saw them supporting The Bellrays last year, it might take me a while but I keep my promises. GUTS play a set that is the epitome of what Abattoir Blues Records are about, the heart and soul of blues with the attitude and spirit of punk rock, to me they sound even rawer than when I first encountered them. They cross the experimental side of Captain Beefheart with the grunt of blues, and the cocktail is completed by a punk attitude and delivery that makes their dark intense serial killer blues the perfect soundtrack to the midway point of Get Fucked.

20170503_222428Hopper Propelled Electric deliver a charged alt rock set that recalls Queens Of The Stone Age, in their substance fuelled prime, combined with the primal hedonistic spirit of rock ‘n roll. Their charged set brings yet another facet to tonight’s event and as with every other act tonight you can’t help but be impressed with the DIY spirit that is ever present today. Tonight has been a credit to Manchester’s alternative music scene, the bands playing Get Fucked avoid the clichéd Mancunian references and they all choose their own influences, despite all the bands playing tonight having their own sound and style there is a common unifying theme of the hedonistic qualities of rock ‘n roll.

20170503_221812The 99 Degree bring a set of fucked up spaghetti western influenced garage and this is the last set they’ll play before the release of their eagerly awaited Boot Hill Surf Club EP. Ominous echo heavy tones precede The 99 Degree launching a energetic set that channels the spirit of the old West combined with the reverb and echo heavy trashy garage that makes them one of Manchester’s most idiosyncratic bands. No one else does anything even remotely close to what The 99 Degree are doing, they deliver a mutant hybrid of everything that’s worth a damn in rock ‘n roll, and for me they are the closest thing you’ll get to the untamed spirit of the garage punk origins of The Cramps.

20170503_213200The penultimate act is Death Vignettes who have reformed for a one off performance for the inaugral Get Fucked, they channel everything that Abattoir Blues Records are about, dirty nasty punked up blues played exactly as it oughta be. Death Vignettes make as much noise as it’s possible to extract from one guitar and drums, and they produce a sound that makes other two pieces outfits, such as The White Stripes, sound like an unplugged performance. Death Vignettes come across as nothing less than the personification of the primal howl that signified the birth of rock ‘n roll.

20170503_213542The final act is The Jungfraus, their set is largely culled from the impressive KRAAK album that is now available as a pay what you want download. They bring a heady element to the final set of Get Fucked, they channel sixties garage, psyche, alt rock and alternative influence to create an impressive mind altering combination that makes for a fitting finale to the live acts that have graced the first Get Fucked festival. Tonight has been perfect, everything from the venue, the friendly and good natured crowd, along with every single band that played tonight and with the faultless DJ set from Wet Dreams that was the perfect accompaniment to the tonight’s nine triumphant live sets.

20170503_211307There is a sequel to Get Fucked planned and I can’t wait for this to happen, as tonight has been a perfect combination of the music and attitudes that informed and shaped punk rock. For me today has possessed more attitude and rebellion than the established punk festivals, it channels the roots and captures the attitude of what made us fall in love with music in the first place. If you didn’t attend this then you should make a point of being at the next Get Fucked if you can as this will probably be amongst my favourite shows of the year. We came, we saw, we got fucked, and I can’t wait for the next time

20170503_213308The Abattoir Blues Records website can be found here

The Atomic Catfight Facebook page is here

Death Vignettes Facebook page is here and their Soundcloud is here

GUTS Facebook presence is here and their Soundcloud is here

The Hipshakes Bandcamp is here and their Facebook presence is here

Hopper Propelled Electric can be found on Facebook here and their Bandcamp is here

The Jungfraus Facebook page is here and their Bandcamp is here

The Maitlands Facebook presence is here and their Soundcloud is here

Tensheds website can be found here

Uncle Jane‘s Facebook page is here and their Soundcloud is here

The 99 Degree‘s Facebook page is here and their Bandcamp is here

Live photography by Michael Maffia, you can click on any of Mike’s photos to view a slide show of the images

The Glass Phantoms Release Video For ‘Call My Name’

Glass Phantomes FSCMNThe Glass Phantoms have released a  video for Call My Name, the track is taken from their new single that was released via Abattoir Blues Records, the single also features stunning artwork by God’s Teeth based on the lyrics from the single.

The Punk Site review of Call My Name / Funeral Song can be found here

The Glass Phantoms new single can be downloaded and streamed here

The video for Call My Name can be viewed below Read More…

Glass Phantomes FSCMN

The Glass Phantoms

Funeral Song / Call My Name

Abattoir Blues Records

Rating: 4.5/5




The Glass Phantoms have released a new double a side single featuring two new songs, Funeral Song and live favourite Call My Name, the single has been released via Abattoir Blues Records and follows on from The Glass Phantoms 2016 self released debut, I Am The Dark. The single also features stunning artwork by God’s Teeth based on the lyrics from the single, artwork that it must be said captures the spirit of the single perfectly.

Funeral Song boasts a dark twisted hypnotic hammering rhythm, overlaid with vocalist Jimi Wade‘s rasping blues howl and some impressively twisted guitar work, Call My Name takes a step further into the shadows, this song has been an established feature of their live sets, and it’s transferred perfectly to the studio. Unlike most songs with a title like that, this is no love song, it contains the lyric “I’ll Put Your Screams Upon My Mantlepiece” that inspired the dark artwork by God’s Teeth. On this track they up the ante from the opener, Funeral Song, to deliver a deliciously dark and twisted number that personifies everything that I love about this band.

This is a move forward from last years impressive debut single, I Am The Dark, that demonstrates The Glass Phantoms are spreading their wings, with two perfect singles under their belt, and a reputation for heartfelt blistering live performances, The Glass Phantoms are building a reputation for being a band that are delivering their own blend of blues, stoner rock and alt rock which is delivered with their own dark twist, and as a result it’s hard not to fall under their spell. Now that they have Abattoir Blues Records behind them the future is somewhat perversely looking very bright for The Glass Phantoms.

The Glass Phantoms Facebook page can be found here

The Glass Phantoms new single can be downloaded and streamed here

The Abattoir Blues Records website can be found here

The Glass Phantoms Release New Single

Glass Phantoms Feb 17The Glass Phantoms have released a new single featuring two new songs, Funeral Song and Call My Name, the single will be released via Abattoir Blues Records and follows on from The Glass Phantoms 2016 self released debut, I Am The Dark. The single also features stunning artwork by God’s Teeth based on the lyrics from the single.

The Glass Phantoms Facebook page can be found here

The Glass Phantoms new single can be downloaded and streamed here


Mark Porkchop Holder

Let It Slide

Alive Naturalsound Records

Rating: 3.5/5




Guitarist, singer, harmonica player and songwriter Mark Porkchop Holder is a founding member of the seminal Tennessee punk rock blues band The Black Diamond Heavies, now he is stepping out on his own and will be releasing his debut solo album, Let It Slide, on the 10th February on all formats via Alive Naturalsound Records. Mark Porchop Holder delivers a heady dose of traditional blues that is refracted though a lens of garage and rock influences, that is delivered with a punk sneer. Let It Slide forms part of the worldwide resurgence of blues music, this movement is one that acknowledges it’s roots, but drags blues kicking and screaming into the modern age.

Let It Slide kicks off with the title track, this brief excerpt of traditional slide guitar fades into Disappearing, an upbeat blues rocker that opens the album in fine style, My Black Name ups the pace and brings a fuzzy mix of swamp rock, slide guitar and garage to Let It Slide. From here on in it’s a road trip through a blues hinterland, Headlights is a tale of late night empty roads under big skies that eases into the more traditional blues of 38, a track that indicates that Mark Porkchop Holder has 61 less problems than Jay Z. The title track reprises with some down and dirty primitive roadhouse blues and Stagger Lee takes the album into a darker more distorted place whilst Stranger leads you out into the desert with a discordant country twang. Let It Slide ends with a rip roaring reworking of Baby Please Don’t Go, a version that differs from the traditional and rock reworkings by boasting a fuzzier heavier vibe than any other version that I’ve heard of this blues standard.

Let It Slide reminds me of The Rolling Stones in places, but back in the mists of time when they were in their blues inspired prime, there are also elements of the pub rock scene that was a precursor to punk, alongside some impressive slabs of blues that veer towards the traditional. This is a blues album at it’s core, but it’s one that incorporates contemporary influences to make this an impressive solo release, if you have any love for the modern grass roots blues acts such as Bones Shake and The Glass Phantoms, or the better known works that have resulted from Jon Spencer and Jack White‘s numerous outings, then Let It Slide is an album that you need in your life.

Let It Slide can be pre-ordered on limited edition vinyl, CD and digital formats here

Boss Hog To Release First Album In 17 Years ‘Brood X’

Boss Hog Brood XNew York City’s glorious garage-noise mutants Boss Hog are back, with their first studio album in 17 years, Brood X, due for release this March 24th via Bronze Rat Records. Led by Cristina Martinez, who is ably assisted by Jon Spencer, Brood X feels less like the work of a group who’ve been on ice for so long, more a slithering and sludgy monster of an album, a boiling pot of hot funk keys, growling punk attack, searing blues breaks and the ground-shaking holler of Martinez. Having recently shared new track  17, to critical acclaim, today Boss Hog unleash Formula X.

You can stream 17 here and Formula X here

Brood X can be pre-ordered here



Blunt Force Trauma

Abattoir Blues Records

Rating: 4/5




Earlier this year I reviewed the Trauma EP by Manchester’s dirty blues merchants GUTS, it was the final instalment in their Blunt Force Trauma trilogy of EP’s, now they have finally collated the three EP’s, Blunt, Force and Trauma, to form this album. Blunt Force Trauma is released on the independent Manchester based label, Abattoir Blues Records, this is a label that has the stated intention of the curating the finest contemporary blues based music, and on the strength of this debut full length release from GUTS you get the feeling that they are as good as their word.

Blunt Force Trauma opens with the slow grinding menace of 666, this shifts into the mutant hellbilly of one of the album’s highlights, the macabre Jeffrey Dahmer’s Eyes, a track that possesses a gloriously primitive rock ‘n roll feel, that is followed by the fine swamp grind of Cemi and Be Had. As I noted on the review of the Trauma EP, their reworking of Be My Baby is something to behold, this is not a cover version as the soft and sweet sixties standard has been completely reworked, it now carries a sinister menace that hints at unhealthy obsession and mental illness. This is followed by a quartet of songs, James Brown, Fucked On Your Fuck, Get In The Car and Dirty Mouth, that encompass stripped down dirty rock ‘n roll and raw primitive blues before you get to the fine closing duo. Mean Old Queen is another highpoint that brings a slice of upbeat garage dementia to Blunt Force Trauma, and drags another primal element into the chaotic fray, before Blow brings the album to a dark and stormy close.

Blunt Force Trauma is an impressive collection of eleven tracks that combines the spirit of primitive rock ‘n roll and the slow sinister grind of blues, and injects it with punk attitude and garage psychosis to create a heady turbulent album that has been worth the long wait for it’s arrival. Throughout Blunt Force Trauma vocalist Liam O’Neill delivers an anguished blues howl that sounds like it’s possessed by his personal demons, this is accompanied by a primitive grind that recalls the darker side of rock ‘n roll and hints at mental anguish, obsession, drug use and primal urges, in short everything about rock ‘n roll that your parents warned you about, and in my book that always has to be a good thing.

Blunt Force Trauma can be ordered via Abattoir Blues Records here

Mark Porkchop Holder To Release New Solo Album ‘Let It Slide’

mark-porkchop-holder-lisGuitarist, singer, harmonica player, and songwriter Mark Porkchop Holder is a founding member of the seminal Tennessee punk rock blues band The Black Diamond Heavies. His will be releasing his debut solo album, Let It Slide, early next year, it promises to be a blistering blues album that marries both the modern and the traditional.
Let It Slide will be available February 10th on all formats via Alive Naturalsound Records.
You can stream the track My Black Name here

All Them Witches

Live In Brussels

Self Released

Rating: 3.5/5




Ahead of their October tour of the UK, Nashville’s All Them Witches released Live In Brussels, a new live album recorded at Belgium’s Ancienne Belgique whilst on their first European tour in March 2016. Live In Brussels continues All Them Witches tradition of releasing live recordings off their own back, direct to their fans, who are as loyal as they come. On their recent summer tour across North America the band were robbed of $4500’s worth of their venue checks and merchandise sales, and faced little other option than to set up an online donation page to try and recoup lost funds in the middle of the tour, their fans impressively topped the goal in under 24 hours. So what has caused this level of dedication amongst their fan base?

The first observation is that for an album release that All Them Witches are giving away the quality is stunning, every note and instrument is crystal clear. The opening number, The Death Of Coyote Woman, has elements of The Doors at their peak along with some fine blues stylings. Funeral For a Great Dying Bird eases into When God Comes Back and the tempo increases and this incorporates some excellent fuzz drenched guitar work. All Them Witches build up and bring down the pace throughout Live In Brussels building up to the triumphant final track My Last Name Is The Blues. This is an accomplished fourteen track live album of laid back psychedelia, blues and stoner rock, and if you have any love for the bands of the mid to late 1960’s that pioneered this style then you should really be adding this to your collection.

All Them Witches first two studio albums, 2012’s Our Mother Electricity and 2014’s Lightning at the Door, laid the groundwork for where we find ourselves today, their latest LP Dying Surfer Meets His Maker has seem them evolve into a sophisticated psych-rock outfit that remains faithful to the bands that paved the way for them. Live In Brussels follows on from their critically acclaimed new album Dying Surfer Meets His Maker and it is a live album as it oughta be, a complete and uncut live performance without overdubs. As Live In Brussels is available as a ‘name your price’ download you really have nothing to lose, and everything to gain, by checking this band out

Dying Surfer Meets His Maker can be purchased here

Live In Brussels can be downloaded as a ‘name your price’ download here

The Punk Site‘s live review of All Them Witches from October 2016 can be read here


All Them Witches / The Great Machine

Deaf Institute, Manchester, UK

3rd October 2016

Rating: 4/5




Tonight is a return to the Deaf Institute, it seems that this venue, that is nestled on a side street in the heart of Manchester’s student district, is having a renaissance with the live acts that are visiting the city, and it’s easy the see why. The venue is a friendly intimate space on the third floor above the venues bar and club spaces, whilst it probably isn’t that popular with the roadies due to having to carry equipment up three flights of stairs, it is a unique venue that incorporates a seated area, balcony and decent sized dancefloor, and crucially for me a smoking area that doesn’t require the long walk downstairs. The sound is always spot on at this venue and it seems to foster a enthusiastic atmosphere amongst the crowd.

the-great-machine-deaf-institute-oct-16-1Tonight Nashville’s All Them Witches are making their second foray into the UK, but first up is Israel’s The Great Machine, they announce themselves in a distinctive Israeli accent “Good evening ladies and gentlemen… we are The Great Machine” and they burst into some seriously heavy and distorted garage, their sound can best be described if you try to imagine if Lemmy hadn’t forsaken acid prior to the formation of Motorhead. They deliver an intense and unique blend of garage, psychedelia and rock ‘n roll, there are few breaks in their set, heavy improvised jams link the songs and meld the set into an epic mind expanding dose of heavy psyche.

the-great-machine-deaf-institute-oct-16-2The Great Machine play everything at full tilt for maximum effect, it’s difficult to review a band like this with mentioning Hawkwind, there are definite parallels between The Great Machine‘s bass led compositions with their effects drenched guitar riffs and pounding drums and the Space Ritual album, the bass lines are hypnotic rumbles and you get the impression that there is an element of improvisation to their performance, I doubt that two of their performances are alike. The Great Machine are a relentless hard edged psychedelic jam and as such they make the perfect support for tonight’s concert, this is their first tour of the UK and judging by the crowd’s response I doubt it it’ll be their last.

the-great-machine-deaf-institute-oct-16-3The Great Machine are one of the friendliest and most down to earth bands I’ve met, they smoke and drink with the audience and it seems they would be willing to talk for hours about music, their experiences of the music scene in their native Israel and their brushes with the law. Their singer is insistent that he wants the t-shirt I’m wearing tonight and I end up swapping shirts with him, something that I’ve never done before at a concert. During All Them Witches set they are down the front with the crowd, they have boundless levels of energy and a genuine love of music that shone through in their set, their conversation and their love of the headlining act who requested The Great Machine as their support act.

all-them-witches-deaf-institute-oct-16-1Tonight the Deaf Institute is as packed as I’ve seen it and there is a distinct buzz amongst the crowd prior to the arrival of All Them Witches, they have developed a reputation as a live act and expectations amongst the crowd are running high. All Them Witches take the stage in understated fashion, sadly the start of the set is plagued by technical issues, the initial smokey bourbon drenched number is subject to a number of false starts, but happily the problems are eventually resolved and their set can begin in earnest, albeit with a stripped down guitar sound that has been thrust onto them for the evening. Where The Great Machine were an assault on your senses All Them Witches are in contrast a much subtler beast with a laid back southern character, but one which has no less of an impact.

all-them-witches-deaf-institute-oct-16-2This is not the first time All Them Witches have played Manchester, judging by the crowds reaction to them they have well and truly established themselves in the North West of the UK, they may be a long way from Tennessee but they appear relaxed and at home. Their blues influenced psyche is played with an intensity that belies the laid back nature of their music, requests are yelled from the crowd, including a request to have sex on the stage, which are all met with an easy going southern charm, this is a band that seems to encourage a strange level of devotion amongst their more committed fans. Their material ebbs and flows throughout the set, building in intensity and then easing back into mellower bluesy strains.

all-them-witches-deaf-institute-oct-16-3All Them Witches set is one that defies categorisation, they play a career spanning set, that is just shy of two hours long, that veers between psyche, blues and southern rock, this is far from the usual kind of band I see but they are certainly impressive live. All Them Witches roots may lie back in the past, but what they bring to the stage is a contemporary mix of psyche and blues that is played with a relaxed and easy going charm that just pulls you into their sound. If you have any love for garage, blues and pyschedelia then tonight’s two bands would be a near perfect package for you.

Photography is by Dean Unsworth and his Instagram account is located here, you can click on any of Dean’s photos to view a slide show of the images

The Great Machine‘s Bandcamp is here and there Facebook account is here

All Them Witches website is here, their Bandcamp is here and their Facebook page is here

Glass Phantoms Release Two Free Live Tracks

glass-phantoms-bootleggersCumbrian quartet Glass Phantoms who released their impressive debut single, I Am The Dark, earlier this year have now released two live tracks, Through The Six and Shake, that are available for free download via their Soundcloud. The two tracks were recorded at Bootleggers Bar in Kendal on their recent UK tour and you can still catch them live at the Milecastle 66 festival on the 24th September, where they will be playing alongside the likes of The Enemy, Feeder and Reverend And The Makers.

You can purchase I Am The Dark direct from the Glass Phantoms here

Through The Six and Shake can be streamed and downloaded here

Leopold And His Fiction Confirm US And European Tour Dates

leopold-and-his-fiction-cowboyIn addition to the release of their new single and video, Cowboy, Leopold And His Fiction have commenced a global tour this week with stops in New Orleans, London, Hamburg and a home town show in Austin, Texas. Leopold And His Fiction combine gritty ingenuity, delicately crafted lyrics and blistering guitar work to produce an impactful live performance. The tour is in anticipation of their new album Darling Destroyer, slated for release in early 2017 and Cowboy can be downloaded via iTunes

The video for Cowboy and the Tour Dates can be viewed Below Read More…

All Them Witches Release Free Live LP And UK Tour Details

all-them-witches-lib-promoAhead of their forthcoming UK October tour, Nashville’s All Them Witches have released Live In Brussels, a new live album recorded at Belgium’s Ancienne Belgique whilst on their first tour through Europe in March 2016, is available for download now direct from Bandcamp. Live In Brussels follows on  from their critically acclaimed new album Dying Surfer Meets His Maker, out now through New West Records.

Details of their forthcoming UK tour and the link for Live In Brussels are below Read More…

Meet Your Death

Meet Your Death

Meet Your Death

12XU Records

Rating: 3.5/5




Meet Your Death are a group that have introduced their own brand of bluesy garage rock with their self titled debut album, this is a band who have a hefty pedigree that brings an authenticity to every last second of Meet Your Death. Walter Daniels, who has played heartfelt blues harmonica with numerous artists, reprises the role of frontman that he last took on in Texan legends Jack O’ Fire. He has teamed up with John Schooly who has previously played in The Revelators, accompanying the two battle scarred veterans are two new recruits who are half the age of their seasoned frontman. The two younger members have already established themselves on their own terms, the appropriately named drummer, Matt Hammer, has been a member of The Strange Boys and OBN IIIs, whilst bassist Harper Assi has previously provided the bass rumble for bands such as Wiccans, Bad Faith and Video.

From the voodoo rhythms of the opening track, Obeah Man, that kicks off this eight track release with a primal drum beat. This sets the tone for Meet Your Death‘s debut album firmly with a primal bluesy garage, it features raw rasping vocals with a distinctive bluesy growl that combines with fuzzy primitive rhythms, squalls of fierce demonic harmonica punctuate the growling vocals and distorted riffs. Meet Your Death is a relentless dirty interpretation of the blues that is informed by the energy and listless snarl of the best garage bands. You can hear the echoes of the likes of fellow Texans The Thirteenth Floor Elevators in the DNA of this album alongside the dominant blues influence.

Meet Your Death forms part of the worldwide resurgence in bands performing a garage and fuzz infused version of the blues which has become known as punk blues, or in some cases bastard blues. This the soundtrack to shots of bourbon and suspicious cigarettes, it contains an authentic blues feels which seamlessly incorporates garage rock influences to make a contemporary and original interpretation of the blues.

Meet Your Death will be released on August 12th and it can be ordered from 12XU Records here

Glass Phantoms IATD

The Glass Phantoms

I Am The Dark

Self Released

Rating: 4/5




Glass Phantoms are a quartet from the picturesque area of the Lake District in the UK. They are part of the burgeoning resurgence that blues is experiencing, but they play it with their own dark, fuzzy and smoky twist. I Am The Dark is their debut single, this is a very impressive slice of distorted noisy blues, but there’s much to it than that. The shadowy guitar riff imbues a sinister and distorted quality, the crashing drums keep the near six minute number driving along like a speed addled truck driver and the vocals are delivered with a rasping and twisted style that suits the material perfectly.

This isn’t just blues with the volume turned up, the sinister undercurrent hints at an influence from the darker side of late sixties rock, there are touches of eighties and nineties alternative, I can particularly pick up an influence from Nick Oliveri era Queens Of The Stone Age, and it’s all delivered with a sneering punk attitude. For a song of this calibre to be the first thing you record is a rare occurrence, I have been playing I Am The Dark on repeat since I opened the file, and it’s going to be living on my playlist from this point forward. If Glass Phantoms can keep the momentum going from this impressive debut then they will be a band to be watched very closely.

You can purchase I Am The Dark directly from the Glass Phantoms here

Glass Phantoms are playing live on the following dates

11th August – Kendal Bootleggers (with The Kut)

24th August – Manchester Night And Day Café

24th September – Carlisle Milecastle 66 Festival

James Williamson To Release ‘Blues Jumped The Rabbit’ Single

James Williamson BJTRFollowing his recent single with The Bellrays’ Lisa Kekaula, The Stooges’ James Williamson has collaborated with singer, violinist and composer Petra Haden for a new benefit single, Blues Jumped The Rabbit, backed with Last Kind Words. Both of these songs are traditional folk/blues compositions. The lyrics for the A-side can be traced back to Blind Lemon Jefferson‘s 1926 recording Rabbit Foot Blues, while the B-side was first recorded by blues enigma Geeshie Wiley back in 1930.

The single is out now on iTunes and will be available on seven inch vinyl format on August 19th

Proceeds from this record will benefit Tazzy Animal Rescue Fund, you can read about the charity here

Glass Phantoms Debut Single And Tour Dates

Glass Phantoms IATDGlass Phantoms are a quartet from the Lake District in the UK, they play their own brand of dark fuzzy stoner blues and they recently made their live debut at the Manchester Castle Inn, alongside Twisted Dolls. They have already released their debut single, the impressive slice of distorted noisy blues that is I Am The Dark, which is available via the Glass Phantoms bandcamp and iTunes. They have further live dates announced in Manchester, their hometown of Kendal and they have been added to the bill of the Milecastle 66 festival, where they will be playing alongside the likes of The Enemy, Feeder and Reverend And The Makers.

You can purchase I Am The Dark direct from the Glass Phantoms here

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Left Lane Cruiser BIB

Left Lane Cruiser

Beck In Black

Alive Naturalsound Records

Rating: 3.5/5




The trashed-out punk blues duo Left Lane Cruiser have now been around for more than a decade, they are comprised of Freddy J IV on vocals and slide guitar and Pete Dio on drums. They were formed in Fort Wayne, Indiana, or Hades depending on who you ask, Left Lane Cruiser play a trashy mix of blues, punk and bluegrass that reeks of intoxification, they have previously recorded tracks with titles like Dirty Spliff Blues, sadly that song isn’t included on this collection, but you can practically smell the smoke and bourbon that has doubtless informed this album.

Left Lane Cruiser bandI have noticed the blues punk scene has been gaining momentum on both sides of the Atlantic and Left Lane Cruiser are one the pioneers of this burgeoning movement. There’s a good chance you will have unknowingly heard their music before now, it has featured in many hit television series, including Banshee, Breaking Bad, and Nashville. Beck In Black is a collection of songs from Left Lane Cruiser‘s first albums for Alive Naturalsound Records. It was originally released in spring 2016 as an exclusive Metallic Gold Vinyl pressing for Record Store Day, and will now be available on July 8th 2016 on CD and digital formats for the first time, alongside their earlier material there are an additional six previously unreleased songs.

The album opens with one of the new tracks, a mean and moody cover of Hoyt Axton‘s The Pusher, it is followed by my favourite track from the collection, The Circus, this is a swirling dervish of blues punk that is deeply addictive and features some exquisite slide guitar work. The album has a distinct bluegrass feel throughout but it is merged with garage and punk influences that are incorporated seamlessly into the mix to make a truly unique sound that anyone who enjoys the trashy side of garage and punk should investigate.

The download of Beck In Black can be ordered from the usual sources and the CD can be ordered here

Bones Shake CL

Bones Shake

Cracked Lips

Abattoir Blues Records

Rating: 4/5




Bones Shake are a scuzzy fuzzy blues trio from Manchester, England, however, this is not your traditional blues. Bones Shake, and their Abattoir Blues Records labelmates, have dragged this genre kicking and screaming into the modern age, they play a distorted pounding reverb drenched variety that is an assault on the senses. Cracked Lips is their latest release and it follows hot on the heels of their debut album, Junk, that was launched earlier this year

The title track, Cracked Lips, opens the EP, and it opens proceedings in fine style, it sounds like a stripped down version of The Eighties Matchbox B-Line Disaster that’s crashed headlong into a bootleg by The Cramps, it has a raw primitive beat and an astonishingly dirty guitar riff that ends with a garage born howl and a squall of feedback. The Cracked Lips EP is worth your pennies for this track alone, but given what follows you should certainly investigate this trio further. I Got Worry brings the pace down slightly, but only slightly, it boasts a demonic fuzzed out blues riff that combines with some deliciously sleazy slide guitar, all the while a hypnotic beat pounds away with their trademark dark incantations completing a dark swirling gumbo. The dark tone of the EP continues on Long After I’m Gone, this brings the tempo down another notch, it features a more laid back guitar style, closer to their blues origins, but this is overlaid with an anguished menacing vocal howl that promises revenge after death, after numerous listens to the Cracked Lips EP I think this dark song is probably my favourite moment on this EP. King Dick brings things to a close with some triumphant filthy reverb drenched blues, it carries the ghost of Louisiana swamps and a dark dark voodoo tone that is the perfect finale to this EP

This is an accomplished EP from this prolific Manchester trio, the tracks contained are a perfectly sequenced snapshot of what Bones Shake have to offer, they carry the spirit of the blues but take it and shake it up with punk rock and garage, the spawn of this union is an EP of bastard blues that defies and exceeds your expectations.

 You can investigate Bones Shake further via Soundcloud here

The Cracked Lips EP, and the rest of their extensive back catalogue, can be ordered from Abattoir Blues Records here