Nashville’s All Them Witches have released their new album, Sleeping Through the War, via New West Records and announced UK headline tour dates. Following appearances confirmed at the Secret Garden Party and Truck Festivals, All Them Witches will return to the UK in September and October for their biggest UK headline tour yet.
The Punk Site review of Sleeping Through The War can be found here
You can stream and purchase Sleeping Through The War here
All Them Witches UK tour dates can be found below Read More…
Sleeping Through The WarNew West Records
By AJ Phink
Nashville based psych rock quartet All Them Witches have returned with their latest album, Sleeping Through The War, that will be released released via New West Records on February 24th, 2017. All Them Witches have never a band to settle on a style or formula, despite the success of their 2015 album, Dying Surfer Meets His Maker, their latest album heads off down another path, one that feels like a further progression down their idiosyncratic highway. Sleeping Through The War is a timely album, it’s title reflects the current turbulent situation in the world and how many people are reacting to these events, but whilst it challenges the lethargy, this is also an album that provides a welcome escape.
The epic track Bulls opens Sleeping Through The War, a dreamy slice of mellow psyche that’s edged with vintage fuzz that slowly builds up the pace and then eases you back down again, Don’t Bring Me Coffee is a more strident number, more akin to experimental post psychedelic bands of the early 1970’s, the era before rock monsters stalked the earth. The lead single from the album, Bruce Lee, brings a charged slice of garage fuelled psyche, this kind of number is what I’ve always felt was the missing element from an All Them Witches set, and it’s good to hear the kind of track I always hoped they’d produced introduced into their repertoire, in contrast 3.5.7 and Am I Going Up? are a duo of heady floating psyche influenced number that maintains the suspicious haze that is a trademark of an All Them Witches album. The final three numbers are lysergic tinged epic trips, their multi layered echo and reverb drenched soundscapes resonate with the authentic feel of west coast psychedelia, in particular the nine minute closing number, Guess I’ll Go Live On The Internet, is the prefect soundtrack for a journey to the centre of the mind.
All Them Witches are clearly considering the heavy times in which we all live, but they also encompassing influences and styles from the past. Sleeping Through The War feels very much like the natural successor to their 2015 album, Dying Surfer Meets His Maker, but at the same time it also surpasses their previous recordings. I was lucky enough to catch All Them Witches on one of last years three European tours, live they stand out alone amongst modern psyche as they capture of the original essence of psychedelia without sounding like an anachronism, and their albums are a reflection of what the manage to convey live. Every album has improved and broadened their sound, Sleeping Through The War is a fine slice of psyche, but their constant forward momentum has already made me start looking forward to their next album.
Sleeping Through The War will be available on all formats and can be pre-ordered here.
Nashville based psych rock quartet All Them Witches have shared a new music video for the track 3-5-7, the second track to be revealed from their forthcoming album, Sleeping Through The War, that is due for release via New West Records on February 24th. The video for 3-5-7 was directed by Robby Staebler, drummer of All Them Witches and artist and photographer in his own right.
Sleeping Through The War can be pre-ordered on CD, LP and download here.
You can view the video for 3-5-7 below Read More…
Nashville based psych rock quartet All Them Witches will return with their new album Sleeping Through The War via New West Records on February 24th, 2017. Lead single Bruce Lee is a perfect distillation of their aesthetic, whirlwind guitars, way out vocals and propulsive rhythms that recall Springsteen’s late night power drives as much as they do Kyuss riding into the blood red sunset. All Them Witches have also announced US tour dates in support of Sleeping Through The War. The tour kicks off in Nashville on February 24th and tickets go on sale November 18th.
Sleeping Through The War can be pre-ordered here
Live In BrusselsSelf Released
By AJ Phink
Ahead of their October tour of the UK, Nashville’s All Them Witches released Live In Brussels, a new live album recorded at Belgium’s Ancienne Belgique whilst on their first European tour in March 2016. Live In Brussels continues All Them Witches tradition of releasing live recordings off their own back, direct to their fans, who are as loyal as they come. On their recent summer tour across North America the band were robbed of $4500’s worth of their venue checks and merchandise sales, and faced little other option than to set up an online donation page to try and recoup lost funds in the middle of the tour, their fans impressively topped the goal in under 24 hours. So what has caused this level of dedication amongst their fan base?
The first observation is that for an album release that All Them Witches are giving away the quality is stunning, every note and instrument is crystal clear. The opening number, The Death Of Coyote Woman, has elements of The Doors at their peak along with some fine blues stylings. Funeral For a Great Dying Bird eases into When God Comes Back and the tempo increases and this incorporates some excellent fuzz drenched guitar work. All Them Witches build up and bring down the pace throughout Live In Brussels building up to the triumphant final track My Last Name Is The Blues. This is an accomplished fourteen track live album of laid back psychedelia, blues and stoner rock, and if you have any love for the bands of the mid to late 1960’s that pioneered this style then you should really be adding this to your collection.
All Them Witches first two studio albums, 2012’s Our Mother Electricity and 2014’s Lightning at the Door, laid the groundwork for where we find ourselves today, their latest LP Dying Surfer Meets His Maker has seem them evolve into a sophisticated psych-rock outfit that remains faithful to the bands that paved the way for them. Live In Brussels follows on from their critically acclaimed new album Dying Surfer Meets His Maker and it is a live album as it oughta be, a complete and uncut live performance without overdubs. As Live In Brussels is available as a ‘name your price’ download you really have nothing to lose, and everything to gain, by checking this band out
Dying Surfer Meets His Maker can be purchased here
Live In Brussels can be downloaded as a ‘name your price’ download here
The Punk Site‘s live review of All Them Witches from October 2016 can be read here
Deaf Institute, Manchester, UK3rd October 2016
By AJ Phink
Tonight is a return to the Deaf Institute, it seems that this venue, that is nestled on a side street in the heart of Manchester’s student district, is having a renaissance with the live acts that are visiting the city, and it’s easy the see why. The venue is a friendly intimate space on the third floor above the venues bar and club spaces, whilst it probably isn’t that popular with the roadies due to having to carry equipment up three flights of stairs, it is a unique venue that incorporates a seated area, balcony and decent sized dancefloor, and crucially for me a smoking area that doesn’t require the long walk downstairs. The sound is always spot on at this venue and it seems to foster a enthusiastic atmosphere amongst the crowd.
Tonight Nashville’s All Them Witches are making their second foray into the UK, but first up is Israel’s The Great Machine, they announce themselves in a distinctive Israeli accent “Good evening ladies and gentlemen… we are The Great Machine” and they burst into some seriously heavy and distorted garage, their sound can best be described if you try to imagine if Lemmy hadn’t forsaken acid prior to the formation of Motorhead. They deliver an intense and unique blend of garage, psychedelia and rock ‘n roll, there are few breaks in their set, heavy improvised jams link the songs and meld the set into an epic mind expanding dose of heavy psyche.
The Great Machine play everything at full tilt for maximum effect, it’s difficult to review a band like this with mentioning Hawkwind, there are definite parallels between The Great Machine‘s bass led compositions with their effects drenched guitar riffs and pounding drums and the Space Ritual album, the bass lines are hypnotic rumbles and you get the impression that there is an element of improvisation to their performance, I doubt that two of their performances are alike. The Great Machine are a relentless hard edged psychedelic jam and as such they make the perfect support for tonight’s concert, this is their first tour of the UK and judging by the crowd’s response I doubt it it’ll be their last.
The Great Machine are one of the friendliest and most down to earth bands I’ve met, they smoke and drink with the audience and it seems they would be willing to talk for hours about music, their experiences of the music scene in their native Israel and their brushes with the law. Their singer is insistent that he wants the t-shirt I’m wearing tonight and I end up swapping shirts with him, something that I’ve never done before at a concert. During All Them Witches set they are down the front with the crowd, they have boundless levels of energy and a genuine love of music that shone through in their set, their conversation and their love of the headlining act who requested The Great Machine as their support act.
Tonight the Deaf Institute is as packed as I’ve seen it and there is a distinct buzz amongst the crowd prior to the arrival of All Them Witches, they have developed a reputation as a live act and expectations amongst the crowd are running high. All Them Witches take the stage in understated fashion, sadly the start of the set is plagued by technical issues, the initial smokey bourbon drenched number is subject to a number of false starts, but happily the problems are eventually resolved and their set can begin in earnest, albeit with a stripped down guitar sound that has been thrust onto them for the evening. Where The Great Machine were an assault on your senses All Them Witches are in contrast a much subtler beast with a laid back southern character, but one which has no less of an impact.
This is not the first time All Them Witches have played Manchester, judging by the crowds reaction to them they have well and truly established themselves in the North West of the UK, they may be a long way from Tennessee but they appear relaxed and at home. Their blues influenced psyche is played with an intensity that belies the laid back nature of their music, requests are yelled from the crowd, including a request to have sex on the stage, which are all met with an easy going southern charm, this is a band that seems to encourage a strange level of devotion amongst their more committed fans. Their material ebbs and flows throughout the set, building in intensity and then easing back into mellower bluesy strains.
All Them Witches set is one that defies categorisation, they play a career spanning set, that is just shy of two hours long, that veers between psyche, blues and southern rock, this is far from the usual kind of band I see but they are certainly impressive live. All Them Witches roots may lie back in the past, but what they bring to the stage is a contemporary mix of psyche and blues that is played with a relaxed and easy going charm that just pulls you into their sound. If you have any love for garage, blues and pyschedelia then tonight’s two bands would be a near perfect package for you.
Photography is by Dean Unsworth and his Instagram account is located here, you can click on any of Dean’s photos to view a slide show of the images
Ahead of their forthcoming UK October tour, Nashville’s All Them Witches have released Live In Brussels, a new live album recorded at Belgium’s Ancienne Belgique whilst on their first tour through Europe in March 2016, is available for download now direct from Bandcamp. Live In Brussels follows on from their critically acclaimed new album Dying Surfer Meets His Maker, out now through New West Records.
Details of their forthcoming UK tour and the link for Live In Brussels are below Read More…