Versus The World

Versus The World

Homesick/Roadsick

Kung Fu Records
By

Rating: 3.5/5

 
 

 

 

Now on their third full length, Homesick/Roadsick, pop-punk supergroup Versus The World has demonstrated possessing legs beyond that of a one time collaboration.  Composed of members of Lagwagon, The Ataris and lesser known acts like 40 Cents Short and Antifreeze, the Californian four-piece has made a name for themselves by combining these familiar brands of melodic pop-punk.  The result is a predictable combination of well-executed and clean pop-punk that satisfies the soul like a warm dish of your favourite comfort food.

Opener “The Santa Margarita” sets Versus The World up in confidence.  Vocalist Donald Spence belts his heart out with a high flying, rough-but-polished altrock sensibility that while very clean never lacks expression.  Landing somewhere between Anberlin and Authority Zero, Spence has a knack for spouting out at least a few attention-grabbing lines per track.  Take the leading invitation on “Sight For Sore Eyes.”  Setting the scene for an underdog, runner-up uprising, the band dedicates the song “to all the would be stars, who are stuck in karaoke bars… to all the second guessers, and assistant managers.”  Enhanced by a rich onslaught of forceful riffs and a well balanced, drum thumping bridge, they land their hopeful message well.  While lyrics aren’t necessarily Versus The World’s strongest suit, when they hit the mark their imagery leaves a lasting impression.

Instrumentally, Homesick/Roadsick isn’t afraid to reach for grand heights.  Take the ambitious, Strung Out meets No Use For A Name back and forth of “Seven. Thirty One” and “Bullet Train.”  With a rambunctious, skate-punk tempoed intro and furious finger flying guitar solo, Versus The World prove that their talents extend well beyond just a solid mid-tempo harmony (not that stand-outs like “Retox/Detox” don’t also pull their weight).  Homesick/Roadsick isn’t mind boggling by any means, but Versus The World‘s technical proficiency definitely gives them a leg up.

Homesick/Roadsick demarks a very confident and capable continuation of Versus The World in their return to Kung Fu Records.  And while the band hasn’t changed all that much since their debut, Homesick/Roadsick continues to frame Versus The World as capable and confident songsmiths of the pop-punk trade with a penchant for approachably substantive tunes.