True MoonLovely Records
By AJ Phink
Sweden’s True Moon released their self titled debut album in their native Sweden at the tail end of 2016, now the band are looking to spread their wings beyond Scandinavia with True Moon finally receiving it’s deserved international release on the 28th April 2017 via Lovely Records. Sweden has long been known a breeding ground for noted bands producing upbeat pop music and conversely for releases from the dark and dissonant underbelly of rock ‘n roll, True Moon‘s debut album is one that definitely fits firmly into the latter category.
From the dark opening chords of Voodoo it’s clear that this is an album that’s born of the post punk and gothic scenes that appeared in the wake of initial punk explosion, the influences are easy to pick up on this, dark brooding Peter Hook bass lines sit alongside dark intense post punk guitar riffs, with the whole package being topped off with a mesmerising vocal delivery by Karolina Engdahl. For those of you who have previously spent nights, and the early hours of the morning, in sweaty alternative night clubs then True Moon‘s debut album will be something that will be simultaneously familiar and new, as this is a contemporary and original take on the gothic and alternative scenes that first emerged from the batcave back in the eighties.
There is a hefty influence on this release from the likes of Joy Division, Killing Joke, Siouxsie And The Banshees, The Sisters of Mercy, The Mission and The Cure, but this is an album that isn’t embedded in the past, True Moon will appeal to fans of their contemporaries such as The Duke Spirit, White Lies, The Raveonettes, Calling All Astronauts and The Sounds. True Moon have produced an impressive album that for me recalled hazy nights spent in Manchester’s legendary Banshee nightclub, but more important than my reminiscences is the fact that this is an album that brings something new to a scene that has become stifled by endless reunion tours and nostalgia.