LeavingSuck It! Records
By AJ Phink
Colorblind hail from Norman, Oklahoma and they released their new album, Leaving, in July, which means it has now been available for almost a month, so whilst we are a little late to the party I’m glad that we eventually got here, as Colorblind have delivered an impressive debut full length. Leaving is a release that wilfully defies any expectations you may have had, and it must be said that this is a more than worthy successor to their acclaimed 2016 EP, Turn To Stone.
The phased guitar introduction to Don’t Leave immediately reminds me of celebrated post punk bands such as The Chameleons, this element is blended with the drive of grunge and the style of indie to create a powerful hybrid, Caroline and Out Of My Mind fully embraces the energy of the grunge influence and this continues into the slightly more downbeat tracks such as Streetlights, Wanted To Believe and What’s Real? There are rockier moments such as Pretty Lies that bring a different dimension to the album and sit alongside the intense shoegaze of Push Me Away, Things We Do and the final number, Lost Cause.
Colorblind are another fine example of the positive results of differing styles and genres colliding head on, it’s impossible to pin down exactly where the bands loyalties lie, but for me that is one of the album’s strengths. If this was just a band recreating the grunge scene then my interest would have waned long before I got to the end of Leaving, but as this is an album that encompasses a clash of styles, with influences stretching from the late seventies onwards, the result is an original fuzz drenched hazy album that carries a strong undercurrent of dark energy.