Rebel DykesRebel Dykes is a documentary about a bunch of kick ass post-punk women who lived the life in London in the 1980s, the documentary film is being made because the history of the London Rebel Dykes of the 1980s is in danger of being forgotten. Rebel Dykes created their own world, made their own rules, and refused to be ignored. We can’t let history tidy them away. They were a bunch of kickass women in leather jackets who made their own punk bands, zines and squats. They were the first generation of sex positive outlaw women, and nothing has been quite the same since.

The crowdfunder page can be found here and Rebel Dykes website is here

You can read more about, and view the trailer for, Rebel Dykes below

The cash raised through the crowdfunder will be used to to ensure the film is cinema quality, to ensure successful marketing and distribution, and to pay necessary fees. 10% of the money raised will go to LGBT Jigsaw, an offshoot of Stonewall Housing, London, because one thing all Rebel Dykes had in common was homelessness, and there is no option for squatting today. 

When a film is called Rebel Dykes there is nobody whose neck doesn’t snap around to check out that logo.  This documentary film cracks open the 1980’s underground dyke scene. Rebel Dykes is about the days when lesbians were fucking everywhere, when they were scrawling it on walls, abseiling into the house of Lords, running women only sex clubs, taking over live TV to change the laws of the land. If anyone wonders what fighting the Tories in the eighties, what punk, squatting and riots were like for dykes, this film creams it.  
Producer and original Rebel Dyke, Siobhan Fahey has brought together all the right people to bring this brew to the boil. With the genius debut co-directing skills of Harri Sherridan and Sian Williams, together with the acute ears of Witney Bluzma on sound, this film is a paradigm shift away from anything else in the documentary film scene, this stuff is scandalous.  A Rebel Dyke herself Ellyott Ben-Ezzer composed the soundtrack with Hannah McLennan Jones on design making this film a queer family work of art.
As a piece of social history and political inspiration to future generations, this film is unparalleled, featuring archive original unseen footage from lost dyke bands and dyke sex clubs together with collections of images from zines, flyers and photographs. This culture inspired riot grrls and queercore as well as countless activists, feminist and queer transgressors. These were the types that pop stars like Madonna and Sinead O’Connor tried to look like, in a social network that spread out at it’s peak to almost a thousand women and that was before mobile phones, let alone social media. Watch them then and now as they tell how they came together, played and stayed queer family right up to the present day.
So if you want to be part of preserving the truth about what women really were doing in the 1980’s and stop the air brush of history from tidying the kick arse DIY girls away, if you want to be part of the project that sold out the biggest auditorium in the BFI at eleven quid a ticket just to see the twenty five minute work in progress cut, you need to get on board.